Entre Marx y una mujer desnuda
1809-1810 Mientras llega el día
FILM SCORES
Entre Marx y una mujer desnuda (Between Marx and a Naked Woman)
(Film directed by Camilo Luzuriaga, 1995)
For violin, trumpet, bandoneon, cello, piano, double bass
1809-1810: Mientras llega el día
(Directed by Camilo Luzuriaga, 2004)
For violin, cello, vocals, organ
ELECTRONIC MUSIC
Los ojos de mis sueños (The eyes of my dreams)
Tape. Commissioned by Gent Electronic Music Studio (CRM). 1984. 7 minutes
Apabatapabata
Tape. Composed at the CERM studios in the city of Metz, France. 1986. 12 minutes.
Pythagoras
Tape. Composed and performed at the electronic music studio of Manhattan School of Music Studio, New York. 1987. 5 minutes
Flauta y viento (Flute and Wind)
For flute and tape. Tape composed at the electronic music studio of Columbia University, New York. Premiered on April 16, 1992 at the Miller Theater, New York. 6 minutes
Samba
Tape. Composed at the electronic music studio of Columbia University, New York. Premiered on April 16, 1992 at the Miller Theater, New York. 6 minutes
Sarapangas como vos (Sarapangas like you)
For Otavalo flutes, percussion, synthesizer, and sound transformation in real time. Premiered at the College of Architects of Quito. Flutes: Diego Luzuriaga. Electronics: Diego Luzuriaga and Julio Bueno. Percussion: Ataulfo Tobar, Edmundo Vizuete, Nelson Cadena. 6 minutes
Viento en el viento (Wind in the wind)
For two flute players (who play flute, piccolo, and alto flute), electronic transformation in real time, and percussion. 1994. Commissioned by the Ensemble InterContemporain and IRCAM in Paris. Premiered on December 2, 1994 at the Grand Salle of the Center George Pompidou, with Sophie Cherrier and Emmanuelle Ophèle, flutes; Dimitri Vassilakis, electronic keyboard; Cort Lippe, tech assistant. Included on the CD "Southern Cones", released by Leonardo Records, Cambridge, MA. 17 minutes.